Tag Archives: classic design handmade antler carving
What could be more frightening than a dragon? The answer—a mother dragon guarding her nest. An oriental dragon is rampant over a tree where her egg is nested. The dragon does not challenge you—she is more certain of her strength than that—she warns you to stay away. And the reason for this defiance is because the egg in the nest is just hatching.
The MotherDragon is made of elk antler with each scale individually carved. The flares around the legs, elbows and wrists, and the ridge along the back are made from moose antler and based upon ancient pictures of Chinese dragons. The dragon perches on a tree made of elk and deer antler, with tufts of needles made of green wire. Nestled in the crook of one branch is a dragon hatchling made of elk antler. The hatchling can be taken out for handling.
51 cm H x 53.5 cm W x 30 cm D
20”H x 21”W x 12”D
In layers of rock laid down 540 million years ago, the fossil record shows ancient life forms that have no precedent in previous layers. This zone is known as the Cambrian Explosion. This period is extremely interesting because, for some reason, the diversity of life increased dramatically, creating most of the currently existing animal phyla. Previously, animal life on Earth consisted of single cells or simple colonies. Why the complexity of diversity took off is unknown. Not only are most of the current animal groups represented in the fossil record, but dozens of other groups are also found, groups that did not succeed in making it to modern times and many of these types are the weirdest of all. It is estimated that 90% of the life forms that appeared during the Cambrian Explosion did not survive into successive geologic periods. Imagine what the earth might look like today if all those different forms were represented. This piece may help with your imagination.
Fantasia depicts many of the life forms existing in the fossil record as well as other forms of varying levels of abstraction. Considering how strange many of the life forms were, it could well be possible that the abstract forms I created actually are similar to ones that existed millions of years before the dinosaurs. Further, some of the weird ones still exist today.
The myriad pieces are carved from elk, moose and deer antler and displayed in a semi-dioramic manner. There are also a few pieces carved from tagua nut, for color and texture.
42 cm W x 46 cm H x 16 cm D
16.5″ W x 18″ H x 10”D
This montage style piece explores the concept of the garden and orchard. We are led to believe that these are places of peace and tranquility. To reflect this, the piece contains representations of walnuts, almonds, acorns, pistachios, peanuts, Manitoba maple seeds, strawberries, peas, asparagus, green onions, carrots and soybeans as well as numerous leaves. However, as every biologist, gardener and tree grower knows, the natural world is a battleground between the plants and the things that want to eat the plants. To this end, if you look closely, you’ll notice a number of creepy crawlies nestled in among the plant matter. Some you’ll recognize, like the caterpillars, nut, worms and snail. Others are less known, like the almond beetle, the land scallop, the asparagus ant lion, a peanut caterpillar, the onion lasso worm and the rarely seen predatory parsnip.
This piece is made from many, many pieces of elk, moose and deer antler as well as a few tagua nuts. The walnut, one almond and the soybeans with snail are removable for handling. The realistic renderings are interspersed with abstract shapes reminiscent of plants or plant parts. The various pieces are displayed on a backdrop of carved moose antlers and mounted on a base of Manitoba Maple.
51 cm W x 38 cm H x 18 cm D
20″W x 15″H x 7″D
Caterpillars crawl on the underside of a leaf. From the upper side, the leaf looks undisturbed, but when turned over, there is a hustle and bustle of insects stuffing themselves so they can become adults. Are the insects any less perfect than the leaf itself? Does their presence make the overall piece seem less serene? It is all in the eye of the beholder.
In actual fact, the purpose of these pieces is to provide a wish for true gardeners and plant aficionados. Every year, just when the plants are looking their best , along comes some bug or worm or fungus to disrupt the growth of the plants. If only the power of those invertebrates and fungi could be harnessed for good instead of evil. Thus, we return to the true underlying meaning of these pieces: May the tent caterpillars eat the weeds in your garden.
Each of the pieces is carved from a single piece of moose antler. The darker color of the inner antler material results in darker caterpillars crawling on a lighter leaf surface.
I try to make most of my pieces as realistic as possible. Antler is ideal for this as it lends itself very well towards intricate detail. A few pieces have delved into the abstract realm and this is one of the most abstract that I have made.
Orchids, by their nature tend to have non-traditional flower shapes, so I decided to extend their unfamiliar shapes into more abstract ones to see where the forms ceased to resemble orchids. I used three orchid types–the traditional tube orchid, the Yellow Lady-Slipper and one called the Dragon’s Mouth. I started with realistic versions of each ( 3 tube orchids, 5 lady-slippers and 3 dragon mouths), then started playing with the shapes, getting more and more abstract until it ceased to be an orchid.
I also carved a bunch of leaves that were used to fill in the spaces and mounted the whole works onto a base of moose antler. Altogether, about 24 flowers are in the piece, but it depends on the viewer to decide how many of them are actually flowers and which are just shapes. The piece is very complicated, with leaves and petals hidden behind other leaves and petals, then roots and seed pods thrown in. What looks like an isolated leaf turns out to be a whole flower hiding in the shadows.
The multitude of shapes are carved from deer, moose and elk antler, as well as tagua nut. The shapes are mounted onto a moose antler platform, which is itself carved and shaped. The piece is displayed upon a poplar wood base.
24 cm L x 41 cm W x 36 cm H (9.5″L x 16.6″W x 14.5″H )
Dragons have become a popular motif for walking sticks, with the popularity of Lord of the Rings and Harry Potter. Their style and appearance ranges greatly. Like Lord of the Rings, this piece grew with the telling. Carved from a single moose antler, I started with a poorly shaped piece of antler and had to develop the image given what was available. Antler carving of this form is a reductive process, so once removed, material cannot be added back. The resulting shape reflects getting the most from the original shape of the antler.
The dragon is outfitted with matched Australian sapphires, rectangular in shape and tri-colored in hue. The piece is meant to be mounted on a walking stick that is long enough that the dragon is grasped from the side, as opposed to from the top. If desired, it is also very suited to be held like a sword. The dragon head is mounted on a Saskatoon wood shaft of distinctive character. Altogether, this is a walking stick for someone with a solid conception of their own image.
I saw several articulated lobsters while visiting Japan. They varied in size and in the material they were created from: brass, steel, ivory, wood, etc. They were all amazing and extremely expensive. Most of the ones I saw were in the high end antique stores, usually behind glass so one could not touch them. Obviously, they were highly prized, so I decided to create one myself. Naturally, my starting place was a real lobster and I endeavored to make my lobster as lifelike as possible, using drawings and measurements to ensure that all pieces were correctly proportional and attached to each other in the correct manner.
This exceptionally lifelike piece is made from elk and moose antler. Including the wires and brass pins it is made of over 200 pieces. All joints move, hence the term articulated, including the antennae, the feeding arms, all joints of all eight legs, the large claws and each segment of the abdomen and of the tail section. The legs are attached to the body in a manner that supports the body in a position approximating a live lobster. All hinges are facilitated by brass pins. The eyes are facetted Swarovski black crystal. The piece mounts on a bur oak base that has support pieces for the body and claws.
One critic stated that “this piece is both monumental and exquisite.”